Jim And Arabel's Sister
By Edgar Lee Masters
Last night a friend of mine and I sat talking,
When all at once I found 'twas one o'clock.
So we came out and he went home to wife
And children, and I started for the club
Which I call home; and then just like a flash
You came into my mind. I bought a slug
And stood, in the booth, with doubtful heart and heard
The buzzer buzz. Well, it was sweet to me
To hear your voice at last - it was so drowsy,
Like a child's voice. And I could see your eyes
Heavy with sleep, and I could see you standing
In nightgown with head leaned against the wall....
Julia! the welcome of your drowsy voice
Went through me like the warmth of priceless wine,
It showed your understanding, that you know
How it is with a man, and how it is with me
Who work by day and sometimes drift by night
About this hellish city. Though you know
That I am fifty-one, can you imagine
My feeling with no children growing up?
My feeling as of one who sees a play
And afterwards sits somewhere at a table
And talks with friends about the different parts
Over a sandwich and a glass of beer?
My feeling with this money which I've made
And cannot use? Sometimes the stress of working
The money dulls the fancy which could use it
In splendid dreams or in the art of life.
Well, here was I ringing your bell at last
At half-past one, and there you stood before me
With a sleepy voice and a sleepy smile, with hands
So warm, and cheeks so red from sleep, not vexed,
But like a child, awakened, who smiles at you
With half-shut eyes and kisses you, so you
Gave me a kiss. The world seems better, Julia,
For that kiss which you gave me at the door....
Breakfast? Why, toast and coffee, not too strong,
My heart acts queer of late....
I want to say
Lest I forget it, if you ever hear
From Arabel or Francis what I said
To Francis when he told me he intended
To marry Arabel, why just remember
Our talk this morning and forget I said it,
I'm sorry that I said it. But, you see,
That night we met, I being fifty-one
And old at what men call the game, looked on
With steady eye and quiet nerve, I saw you
Just as I'd see a woman anywhere;
And I found you as I'd found others before you,
But with this difference so it seemed to me:
What had been false with them was real with you,
What had been shame with them with you was life,
What had been craft with them with you was nature,
What had been sin with them to you was good,
What had been vice with them to you the honest
And uncorrupted innocence of a human
Heart so human looking on our souls.
What had been coarse to them to you was clean
As rain is, or fresh flowers, all things that grow
And move and sing along creation's way.
You came to me like friendship, what you gave
Was friendship's gift, when friends think least of self
And least of motive. And it is through you
That I have risen out of the pit where sneers
And laughter, looks and words obscene,
Blaspheme our nature. It is through you, Julia,
As one amid great beach trees where soft mosses
Pillow our heads and where we see the clouds
Upon their infinite sailings and the lake
Washes beneath us, and we lie and think
How this has been forever and will be
When we are dust a thousand, thousand years,
Yet how life is eternal - just as one
Who there falls into prayer for ecstasy
Of wonder, prophecy could not blaspheme
The Eternal Power (as he might well blaspheme
The gospel hymns and ritual) that I
Cannot blaspheme you, Julia.
For what is our communion, yours and mine,
If it be not a way of laying hold
On that mysterious essence which makes one
Of heaven and earth, makes kindred human hands....
Tears are not like you, Julia; laugh, that's right!
Pour me a little coffee, if you please.
I'll take from my herbarium certain species
To make my points: Now here there is the woman
Of life promiscuous, or nearly so.
She fixes her design upon a man,
Who's married and the riotous game begins.
They go along a year or two perhaps.
Then psychic chemistry performs its part:
They are in love, or he's in love with her.
What shall be done with love? Now watch the woman:
That which she gave without love at the first
She now withdraws in spite of love unless
He breaks his life up, cuts all former ties
And weds her. Do you wonder sometimes men
Kill women with a knife or strangle them?
Well, here's another: She has been to Ogontz,
You meet her at a dinner-dance, we'll say.
She has green eyes and hair as light as jonquils;
She wears black velvet and a salmon sash.
And when you dance with her she has a way
Of giving you her flesh beneath thin silk,
Which almost lisps as she caresses you
With legs that scarcely touch you; and she says
Things with a double meaning, and she smiles
To carry out her meaning. Well, you think
The girl is yours, and after weeks of chasing
She lands you up at the appointed place
With mamma, who looks at you with big eyes,
That have a nervous way of opening
And closing slowly like a big wax doll's,
From which great clouds of wrath and wonder come;
Which meeting is a way of saying to you:
The girl is yours if you will marry her,
And let her have your money.
Julia, be still;
I can't go on while you are laughing so.
I know that men are easy, but to see
Women as women see them is a gift
That comes to men who reach my age in life....
Well, here's another, here's the type of woman
Whose power of motherhood conceals the art
By which she thrives, through which she reaches also
An apotheosis in society.
Her dream is children conscious or unconscious.
And her strength is the race's, and she draws
The urgings of posterity and leans
Upon the hopes and ideals of the day.
To her a man must sacrifice his life.
But women, Julia, of whatever type,
Are still but waiting ovules seeking man,
And man's life to develop, even to live.
And like the praying mantis who's devoured
In the embrace, man is devoured by women
In some way, by some sort. Love is a flame
In man's life where he warms him but to suck
The invisible heat and perish. Life is cramped,
Bound down with many ropes, shut in by gates,
Love is not free which should be wholly free
For Life's sake.
On Michigan Avenue
At lunch time, or at five o'clock, you'll see
In rain or shine a certain tailor walk
In modish coat and trousers, with a cane.
That fellow is the pitifulest man I know.
He has no woman, cannot find a woman,
Because all women, seeing him, divine
What surges through him, and within their hearts
Laugh slyly and deny him for the fun
Of seeing how denial keeps him walking
All up and down the boulevard. He's found
No hand of human friendship like yours, Julia.
I use him for my point. If we could make
Some fine erotometer one could sit
And watch its trembling springs and nervous hands
Record the waves of longing in the city,
And the urge of life that writhes beneath the blows
Of custom and of fear. Love is not free,
Which should be wholly free for Life's sake.
Julia.
So much for all these things, and now for you
To whom they lead.
You'll find among the marshes
The sundew and the pitcher plant; in shallows,
Where the green scum floats languidly you'll find
The water lily with white petals and
A sickly perfume. But the sundew catches
The midges flitting by with rainbow wings,
Impales them on its tiny spines, in time
Devours them. And the pitcher plant holds out
Its cup of green for larger bugs, which fall
Into the water, treasured there like tears
Of women, and so drowned are soon absorbed
Into the verdant vesture of its leaves.
The pitcher plant and sundew, water lily
Well typify the nature of most women
Who must have blood or soul of man to live,
Except you, Julia. For my friend at Hinsdale
Who raises flowers laid out a primrose bed.
He read somewhere that primroses will change
Under your eyes sometimes to something else,
Become another flower and not a primrose,
Another species even. So he watched
And saw it, saw this miracle! The seed
Has somewhere in its vital self the power
Of this mutation. What is the origin
Of spiritual species? For you're a primrose, Julia,
Who has mutated: You are not a mother;
Nor are you yet the woman seeking marriage;
Nor yet the woman thriving by her sex;
Nor yet the woman spoken of by Solomon
Who waits and watches and whose steps lead down
To death and hell. Nor yet Delilah who
Rejoices in the secret of man's strength
And in subduing it.
You are a flower
Designed to comfort such poor men as I,
And show the world how love can be a thing
That asks no more than what it freely gives,
And gives all, all some women call the prize
For life or honor, riches, power or place.
You are a blossom in the primrose bed
So raised to subtler color, sweeter scent.
You have mutated, Julia, that is it,
This flower of you is what I call The Lover!