Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I 've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.

Hope.

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream, and not make dreams your master;
If you can think, and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with kings, nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And, which is more, you'll be a Man, my son!

If....

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.

The Road Not Taken

Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it's queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there's some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Stopping By Woods On A Snowy Evening

"To-tschin-shu is condemned to death.
How can he drink tea with the Executioner?"
Japanese Proverb.


The eldest son bestrides him,
And the pretty daughter rides him,
And I meet him oft o' mornings on the Course;
And there kindles in my bosom
An emotion chill and gruesome
As I canter past the Undertaker's Horse.

Neither shies he nor is restive,
But a hideously suggestive
Trot, professional and placid, he affects;
And the cadence of his hoof-beats
To my mind this grim reproof beats:,
"Mend your pace, my friend, I'm coming. Who's the next?"

Ah! stud-bred of ill-omen,
I have watched the strongest go,men
Of pith and might and muscle,at your heels,
Down the plantain-bordered highway,
(Heaven send it ne'er be my way!)
In a lacquered box and jetty upon wheels.

Answer, sombre beast and dreary,
Where is Brown, the young, the cheery,
Smith, the pride of all his friends and half the Force?
You were at that last dread dak
We must cover at a walk,
Bring them back to me, O Undertaker's Horse!

With your mane unhogged and flowing,
And your curious way of going,
And that businesslike black crimping of your tail,
E'en with Beauty on your back, Sir,
Pacing as a lady's hack, Sir,
What wonder when I meet you I turn pale?

It may be you wait your time, Beast,
Till I write my last bad rhyme, Beast,
Quit the sunlight, cut the rhyming, drop the glass,
Follow after with the others,
Where some dusky heathen smothers
Us with marigolds in lieu of English grass.

Or, perchance, in years to follow,
I shall watch your plump sides hollow,
See Carnifex (gone lame) become a corse,
See old age at last o'erpower you,
And the Station Pack devour you,
I shall chuckle then, O Undertaker's Horse!

But to insult, jibe, and quest, I've
Still the hideously suggestive
Trot that hammers out the unrelenting text,
And I hear it hard behind me
In what place soe'er I find me:,
"'Sure to catch you sooner or later. Who's the next?"

The Undertaker's Horse

I wandered lonely as a cloud
 That floats on high o'er vales and hills,
 When all at once I saw a crowd,
 A host, of golden daffodils;
 Beside the lake, beneath the trees,
 Fluttering and dancing in the breeze.

 Continuous as the stars that shine
 And twinkle on the milky way,
 They stretched in never-ending line
 Along the margin of a bay:
 Ten thousand saw I at a glance,
 Tossing their heads in sprightly dance.

 The waves beside them danced; but they
 Out-did the sparkling waves in glee:
 A poet could not but be gay,
 In such a jocund company:
 I gazed, and gazed, but little thought
 What wealth the show to me had brought:

 For oft, when on my couch I lie
 In vacant or in pensive mood, 
 They flash upon that inward eye
 Which is the bliss of solitude;
 And then my heart with pleasure fills,
 And dances with the daffodils.

I Wandered Lonely As A Cloud

I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.

You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.

Oh plunge me deep in love, put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.

I Am Not Yours

My candle burns at both ends;
It will not last the night ;
But ah, my foes, and oh, my friends--
It gives a lovely light!

First Fig

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow 
You are not wrong, who deem
That my days have been a dream:
Yet if hope has flown away
In a night, or in a day,
In a vision or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand 
How few! yet how they creep
Through my fingers to the deep
While I weep while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

A Dream Within A Dream

I'm Nobody!Who are you?
Are you nobody, too?
Then there's a pair of us -- don't tell!
They 'd banish us, you know.

How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!

I'm Nobody!

Popular poems

A Haiku is a form of Japanese poetry made of short, unrhymed lines that evoke natural imagery.

an ancient pond
a frog jumps in
the splash of water

an ancient pond

the first cold shower
even the monkey seems to want
a little coat of straw

the first cold shower

on a leafless branch
a crow comes to rest
autumn nightfall

on a leafless branch

by my new banana plant
the first sign of something I loathe
a miscanthus bud!

by my new banana plant

I write, erase, rewrite,
erase again, and then
a poppy blooms.

I write, erase, rewrite

New Year's Day—
everything is in blossom!
I feel about average

New Year's Day—

everything I touch
with tenderness, alas,
pricks like a bramble

everything I touch

get ready to see
my piss waterfall!
croaking frog

get ready to see

locked in a staring contest
me …
and a frog

locked in a staring contest

flutteringly
floating in the breeze
a single butterfly

flutteringly

consider me
as one who loved poetry
and persimmons

consider me

I want to sleep
swat the flies
softly, please

I want to sleep

Haiku poems

Poems that highlight the beauty of the natural world.

When primroses are out in Spring,
 And small, blue violets come between;
 When merry birds sing on boughs green,
And rills, as soon as born, must sing;

When butterflies will make side-leaps,
 As though escaped from Nature's hand
 Ere perfect quite; and bees will stand
Upon their heads in fragrant deeps;

When small clouds are so silvery white
 Each seems a broken rimmed moon, 
 When such things are, this world too soon,
For me, doth wear the veil of Night.

Days Too Short

Good morning, Life, and all
Things glad and beautiful.
My pockets nothing hold,
But he that owns the gold,
The Sun, is my great friend, 
His spending has no end.

Hail to the morning sky,
Which bright clouds measure high;
Hail to you birds whose throats
Would number leaves by notes;
Hail to you shady bowers,
And you green fields of flowers.

Hail to you women fair,
That make a show so rare
In cloth as white as milk, 
Be't calico or silk:
Good morning, Life, and all
Things glad and beautiful.

A Greeting

A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.

And then he drank a dew
From a convenient grass,
And then hopped sidewise to the wall
To let a beetle pass.

He glanced with rapid eyes
That hurried all abroad, --
They looked like frightened beads, I thought;
He stirred his velvet head

Like one in danger; cautious,
I offered him a crumb,
And he unrolled his feathers
And rowed him softer home

Than oars divide the ocean,
Too silver for a seam,
Or butterflies, off banks of noon,
Leap, plashless, as they swim.

In The Garden.

The trees are afraid to put forth buds,
And there is timidity in the grass;
The plots lie gray where gouged by spuds,
 And whether next week will pass
Free of sly sour winds is the fret of each bush
 Of barberry waiting to bloom.

Yet the snowdrop's face betrays no gloom,
And the primrose pants in its heedless push,
Though the myrtle asks if it's worth the fight
 This year with frost and rime
 To venture one more time
On delicate leaves and buttons of white
From the selfsame bough as at last year's prime,
And never to ruminate on or remember
What happened to it in mid-December.

April 1917.

A Backward Spring

When our two souls have left this mortal clay
 And, seeking mine, you think that mine is lost -
Look for me first in that Elysian glade
 Where Lesbia is, for whom the birds sing most.

What happy hearts those feathered mortals have,
 That sing so sweet when they're wet through in spring!
For in that month of May when leaves are young,
 Birds dream of song, and in their sleep they sing.

And when the spring has gone and they are dumb,
 Is it not fine to watch them at their play:
Is it not fine to see a bird that tries
 To stand upon the end of every spray?

See how they tilt their pretty heads aside:
 When women make that move they always please.
What cosy homes birds make in leafy walls
 That Nature's love has ruined - and the trees.

Oft have I seen in fields the little birds
 Go in between a bullock's legs to eat;
But what gives me most joy is when I see
 Snow on my doorstep, printed by their feet.

Birds

I hear a merry noise indeed:
 Is it the geese and ducks that take
Their first plunge in a quiet pond
 That into scores of ripples break, 
Or children make this merry sound?

I see an oak tree, its strong back
 Could not be bent an inch though all
Its leaves were stone, or iron even:
 A boy, with many a lusty call,
Rides on a bough bareback through Heaven.

I see two children dig a hole
 And plant in it a cherry-stone:
"We'll come to-morrow," one child said, 
 "And then the tree will be full grown,
And all its boughs have cherries red."

Ah, children, what a life to lead:
 You love the flowers, but when they're past
No flowers are missed by your bright eyes;
 And when cold winter comes at last,
Snowflakes shall be your butterflies.

Children At Play

How many million Aprils came
Before I ever knew
How white a cherry bough could be,
A bed of squills, how blue!

And many a dancing April
When life is done with me,
Will lift the blue flame of the flower
And the white flame of the tree.

Oh burn me with your beauty, then,
Oh hurt me, tree and flower,
Lest in the end death try to take
Even this glistening hour.

O shaken flowers, O shimmering trees,
O sunlit white and blue,
Wound me, that I, through endless sleep,
May bear the scar of you.

Blue Squills

The roofs are shining from the rain,
The sparrows twitter as they fly,
And with a windy April grace
The little clouds go by.

Yet the back-yards are bare and brown
With only one unchanging tree
I could not be so sure of spring
Save that it sings in me.

April

Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.

I make a great noise
Of rustling all day
Like rabbit and deer
Running away.

But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.

I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?

Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.

Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?

Gathering Leaves

Nature poems

Romanticism (also known as the Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature—all components of modernity.

My heart leaps up when I behold
 A rainbow in the sky:
 So was it when my life began;
 So is it now I am a man;
 So be it when I shall grow old,
 Or let me die!
 The Child is father of the Man;
 I could wish my days to be
 Bound each to each by natural piety.

My Heart Leaps Up When I Behold

I wandered through each chartered street,
Near where the chartered Thames does flow,
A mark in every face I meet,
Marks of weakness, marks of woe.

In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear:

How the chimney-sweeper's cry
Every blackening church appalls,
And the hapless soldier's sigh
Runs in blood down palace-walls.

But most, through midnight streets I hear
How the youthful harlot's curse
Blasts the new-born infant's tear,
And blights with plagues the marriage-hearse.

London

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And, when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

The Tiger

I love to rise on a summer morn,
When birds are singing on every tree;
The distant huntsman winds his horn,
And the skylark sings with me:
Oh what sweet company!

But to go to school in a summer morn,
Oh it drives all joy away!
Under a cruel eye outworn,
The little ones spend the day
In sighing and dismay.

Ah then at times I drooping sit,
And spend many an anxious hour;
Nor in my book can I take delight,
Nor sit in learning's bower,
Worn through with the dreary shower.

How can the bird that is born for joy
Sit in a cage and sing?
How can a child, when fears annoy,
But droop his tender wing,
And forget his youthful spring?

Oh father and mother, if buds are nipped,
And blossoms blown away;
And if the tender plants are stripped
Of their joy in the springing day,
By sorrow and care's dismay,

How shall the summer arise in joy,
Or the summer fruits appear?
Or how shall we gather what griefs destroy,
Or bless the mellowing year,
When the blasts of winter appear?

The Schoolboy

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.

A Robin Red breast in a Cage
Puts all Heaven in a Rage.
A dove house fill'd with doves & Pigeons
Shudders Hell thro' all its regions.
A dog starv'd at his Master's Gate
Predicts the ruin of the State.
A Horse misus'd upon the Road
Calls to Heaven for Human blood.
Each outcry of the hunted Hare
A fibre from the Brain does tear.
A Skylark wounded in the wing,
A Cherubim does cease to sing.
The Game Cock clipp'd and arm'd for fight
Does the Rising Sun affright.
Every Wolf's & Lion's howl
Raises from Hell a Human Soul.
The wild deer, wand'ring here & there,
Keeps the Human Soul from Care.
The Lamb misus'd breeds public strife
And yet forgives the Butcher's Knife.
The Bat that flits at close of Eve
Has left the Brain that won't believe.
The Owl that calls upon the Night
Speaks the Unbeliever's fright.
He who shall hurt the little Wren
Shall never be belov'd by Men.
He who the Ox to wrath has mov'd
Shall never be by Woman lov'd.
The wanton Boy that kills the Fly
Shall feel the Spider's enmity.
He who torments the Chafer's sprite
Weaves a Bower in endless Night.
The Catterpillar on the Leaf
Repeats to thee thy Mother's grief.
Kill not the Moth nor Butterfly,
For the Last Judgement draweth nigh.
He who shall train the Horse to War
Shall never pass the Polar Bar.
The Beggar's Dog & Widow's Cat,
Feed them & thou wilt grow fat.
The Gnat that sings his Summer's song
Poison gets from Slander's tongue.
The poison of the Snake & Newt
Is the sweat of Envy's Foot.
The poison of the Honey Bee
Is the Artist's Jealousy.
The Prince's Robes & Beggars' Rags
Are Toadstools on the Miser's Bags.
A truth that's told with bad intent
Beats all the Lies you can invent.
It is right it should be so;
Man was made for Joy & Woe;
And when this we rightly know
Thro' the World we safely go.
Joy & Woe are woven fine,
A Clothing for the Soul divine;
Under every grief & pine
Runs a joy with silken twine.
The Babe is more than swadling Bands;
Throughout all these Human Lands
Tools were made, & born were hands,
Every Farmer Understands.
Every Tear from Every Eye
Becomes a Babe in Eternity.
This is caught by Females bright
And return'd to its own delight.
The Bleat, the Bark, Bellow & Roar
Are Waves that Beat on Heaven's Shore.
The Babe that weeps the Rod beneath
Writes Revenge in realms of death.
The Beggar's Rags, fluttering in Air,
Does to Rags the Heavens tear.
The Soldier arm'd with Sword & Gun,
Palsied strikes the Summer's Sun.
The poor Man's Farthing is worth more
Than all the Gold on Afric's Shore.
One Mite wrung from the Labrer's hands
Shall buy & sell the Miser's lands:
Or, if protected from on high,
Does that whole Nation sell & buy.
He who mocks the Infant's Faith
Shall be mock'd in Age & Death.
He who shall teach the Child to Doubt
The rotting Grave shall ne'er get out.
He who respects the Infant's faith
Triumph's over Hell & Death.
The Child's Toys & the Old Man's Reasons
Are the Fruits of the Two seasons.
The Questioner, who sits so sly,
Shall never know how to Reply.
He who replies to words of Doubt
Doth put the Light of Knowledge out.
The Strongest Poison ever known
Came from Caesar's Laurel Crown.
Nought can deform the Human Race
Like the Armour's iron brace.
When Gold & Gems adorn the Plow
To peaceful Arts shall Envy Bow.
A Riddle or the Cricket's Cry
Is to Doubt a fit Reply.
The Emmet's Inch & Eagle's Mile
Make Lame Philosophy to smile.
He who Doubts from what he sees
Will ne'er believe, do what you Please.
If the Sun & Moon should doubt
They'd immediately Go out.
To be in a Passion you Good may do,
But no Good if a Passion is in you.
The Whore & Gambler, by the State
Licenc'd, build that Nation's Fate.
The Harlot's cry from Street to Street
Shall weave Old England's winding Sheet.
The Winner's Shout, the Loser's Curse,
Dance before dead England's Hearse.
Every Night & every Morn
Some to Misery are Born.
Every Morn & every Night
Some are Born to sweet Delight.
Some ar Born to sweet Delight,
Some are born to Endless Night.
We are led to Believe a Lie
When we see not Thro' the Eye
Which was Born in a Night to Perish in a Night
When the Soul Slept in Beams of Light.
God Appears & God is Light
To those poor Souls who dwell in the Night,
But does a Human Form Display
To those who Dwell in Realms of day.

Auguries Of Innocence

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the mossd cottage trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has oer-brimmd their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reapd furrow sound asleep,
Drowsd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or, by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

To Autumn

When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high piled books, in charactry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love; then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.

Sonnet: When I Have Fears That I May Cease To Be

It was a little budding rose,
Round like a fairy globe,
And shyly did its leaves unclose
Hid in their mossy robe,
But sweet was the slight and spicy smell
It breathed from its heart invisible.

The rose is blasted, withered, blighted,
Its root has felt a worm,
And like a heart beloved and slighted,
Failed, faded, shrunk its form.
Bud of beauty, bonnie flower,
I stole thee from thy natal bower.

I was the worm that withered thee,
Thy tears of dew all fell for me;
Leaf and stalk and rose are gone,
Exile earth they died upon.
Yes, that last breath of balmy scent
With alien breezes sadly blent!

A Little Budding Rose

A neighbor of mine in the village
Likes to tell how one spring
When she was a girl on the farm, she did
A childlike thing.

One day she asked her father
To give her a garden plot
To plant and tend and reap herself,
And he said, "Why not?"

In casting about for a corner
He thought of an idle bit
Of walled-off ground where a shop had stood,
And he said, "Just it."

And he said, "That ought to make you
An ideal one-girl farm,
And give you a chance to put some strength
On your slim-jim arm."

It was not enough of a garden
Her father said, to plow;
So she had to work it all by hand,
But she don't mind now.

She wheeled the dung in a wheelbarrow
Along a stretch of road;
But she always ran away and left
Her not-nice load,

And hid from anyone passing.
And then she begged the seed.
She says she thinks she planted one
Of all things but weed.

A hill each of potatoes,
Radishes, lettuce, peas,
Tomatoes, beets, beans, pumpkins, corn,
And even fruit trees.

And yes, she has long mistrusted
That a cider-apple
In bearing there today is hers,
Or at least may be.

Her crop was a miscellany
When all was said and done,
A little bit of everything,
A great deal of none.

Now when she sees in the village
How village things go,
Just when it seems to come in right,
She says, "I know!

"It's as when I was a farmer..."
Oh never by way of advice!
And she never sins by telling the tale
To the same person twice.

A Girl's Garden

We are very slightly changed
From the semi-apes who ranged
India's Prehistoric clay;
He that drew the longest bow
Ran his brother down, you know,
As we run men down to-tday.

"Dowb," the first of all his race,
Met the Mammoth face to face
On the lake or in the cave:
Stole the steadiest canoe,
Ate the quarry others slew,
Died and took the finest grave.

When they scratched the reindeer-bone,
Some one made the sketch his own,
Filched it from the artist then,
Even in those early days,
Won a simple Viceroy's praise
Through the toil of other men.
Ere they hewed the Sphinx's visage
Favouritism governed kissage,
Even as it does in this age.

Who shall doubt "the secret hid
Under Cheops' pyramid"
Was that the contractor did
Cheops out of several millions?
Or that Joseph's sudden rise
To Comptroller of Supplies
Was a fraud of monstrous size
On King Pharaoh's swart Civilians?

Thus, the artless songs I sing
Do not deal with anything
New or never said before.
As it was in the beginning
Is to-day official sinning,
And shall be for evermore!

A General Summary

Romantic poems

Out of the noise of tired people working,
Harried with thoughts of war and lists of dead,
His beauty met me like a fresh wind blowing,
Clean boyish beauty and high-held head.
Eyes that told secrets, lips that would not tell them,
Fearless and shy the young unwearied eyes,
Men die by millions now, because God blunders,
Yet to have made this boy he must be wise.

A Boy

Pensive they sit, and roll their languid eyes,
Nibble their toast, and cool their tea with sighs,
Or else forget the purpose of the night,
Forget their tea, forget their appetite.
See with cross'd arms they sit, ah! happy crew,
The fire is going out and no one rings
For coals, and therefore no coals Betty brings.
A fly is in the milk-pot, must he die
By a humane society?
No, no; there Mr. Werter takes his spoon,
Inserts it, dips the handle, and lo! soon
The little straggler, sav'd from perils dark,
Across the teaboard draws a long wet mark.
Arise! take snuffers by the handle,
There's a large cauliflower in each candle.
A winding-sheet, ah me! I must away
To No. 7, just beyond the circus gay.
'Alas, my friend! your coat sits very well;
Where may your tailor live?''I may not tell.
O pardon me, I'm absent now and then.
Where might my tailor live?I say again
I cannot tell, let me no more be teaz'd,
He lives in Wapping, might live where he pleas'd.'

A Party Of Lovers

Wild nights! Wild nights!
Were I with thee,
Wild nights should be
Our luxury!

Futile the winds
To a heart in port, --
Done with the compass,
Done with the chart.

Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in thee!

Wild Nights! Wild Nights!

When the long day goes by
And I do not see your face,
The old wild, restless sorrow
Steals from its hiding place.

My day is barren and broken,
Bereft of light and song,
A sea beach bleak and windy
That moans the whole day long.

To the empty beach at ebb tide,
Bare with its rocks and scars,
Come back like the sea with singing,
And light of a million stars.

Ebb Tide

Oh, because you never tried
To bow my will or break my pride,
And nothing of the cave-man made
You want to keep me half afraid,
Nor ever with a conquering air
You thought to draw me unaware,
Take me, for I love you more
Than I ever loved before.

And since the body's maidenhood
Alone were neither rare nor good
Unless with it I gave to you
A spirit still untrammeled, too,
Take my dreams and take my mind
That were masterless as wind;
And "Master!" I shall say to you
Since you never asked me to.

Because

I heard a cry in the night,
A thousand miles it came,
Sharp as a flash of light,
My name, my name!

It was your voice I heard,
You waked and loved me so,
I send you back this word,
I know, I know!

Message

When I talk with other men
I always think of you
Your words are keener than their words,
And they are gentler, too.

When I look at other men,
I wish your face were there,
With its gray eyes and dark skin
And tossed black hair.

When I think of other men,
Dreaming alone by day,
The thought of you like a strong wind
Blows the dreams away.

Other Men

Beside an ebbing northern sea
While stars awaken one by one,
We walk together, I and he.

He woos me with an easy grace
That proves him only half sincere;
A light smile flickers on his face.

To him love-making is an art,
And as a flutist plays a flute,
So does he play upon his heart

A music varied to his whim.
He has no use for love of mine,
He would not have me answer him.

To hide my eyes within the night
I watch the changeful lighthouse gleam
Alternately with red and white.

My laughter smites upon my ears,
So one who cries and wakes from sleep
Knows not it is himself he hears.

What if my voice should let him know
The mocking words were all a sham,
And lips that laugh could tremble so?

What if I lost the power to lie,
And he should only hear his name
In one low, broken cry?

By The Sea

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim Soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

When You Are Old

Child, child, love while you can
The voice and the eyes and the soul of a man;
Never fear though it break your heart,
Out of the wound new joy will start;
Only love proudly and gladly and well,
Though love be heaven or love be hell.

Child, child, love while you may,
For life is short as a happy day;
Never fear the thing you feel,
Only by love is life made real;
Love, for the deadly sins are seven,
Only through love will you enter heaven.

Child, Child

Love

Heart, we will forget him!
You and I, to-night!
You may forget the warmth he gave,
I will forget the light.

When you have done, pray tell me,
That I my thoughts may dim;
Haste! lest while you're lagging,
I may remember him!

Heart, We Will Forget Him!

Love is like the wild rose-briar,
Friendship like the holly-tree,
The holly is dark when the rose-briar blooms
But which will bloom most contantly?
The wild-rose briar is sweet in the spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who wil call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly's sheen,
That when December blights thy brow
He may still leave thy garland green.

Love And Friendship

There is no magic any more,
We meet as other people do,
You work no miracle for me
Nor I for you.

You were the wind and I the sea,
There is no splendor any more,
I have grown listless as the pool
Beside the shore.

But though the pool is safe from storm
And from the tide has found surcease,
It grows more bitter than the sea,
For all its peace.

After Love

No one worth possessing
Can be quite possessed;
Lay that on your heart,
My young angry dear;
This truth, this hard and precious stone,
Lay it on your hot cheek,
Let it hide your tear.
Hold it like a crystal
When you are alone
And gaze in the depths of the icy stone.
Long, look long and you will be blessed:
No one worth possessing
Can be quite possessed.

Advice To A Girl

I have come to bury Love
Beneath a tree,
In the forest tall and black
Where none can see.

I shall put no flowers at his head,
Nor stone at his feet,
For the mouth I loved so much
Was bittersweet.

I shall go no more to his grave,
For the woods are cold.
I shall gather as much of joy
As my hands can hold.

I shall stay all day in the sun
Where the wide winds blow,
But oh, I shall cry at night
When none will know.

Buried Love

Heartbreak

Poems that capture the elusive nature of happiness.

Joy, how I sought thee!
Silver I spent and gold,
On the pleasures of this world,
In splendid garments clad;
The wine I drank was sweet,
Rich morsels I did eat, 
Oh, but my life was sad!
Joy, how I sought thee!

Joy, I have found thee!
Far from the halls of Mirth,
Back to the soft green earth,
Where people are not many;
I find thee, Joy, in hours
With clouds, and birds, and flowers, 
Thou dost not charge one penny.
Joy, I have found thee!

Seeking Joy

Oh, sweet content, that turns the labourer's sweat
 To tears of joy, and shines the roughest face;
How often have I sought you high and low,
 And found you still in some lone quiet place;

Here, in my room, when full of happy dreams,
 With no life heard beyond that merry sound
Of moths that on my lighted ceiling kiss
 Their shadows as they dance and dance around;

Or in a garden, on a summer's night,
 When I have seen the dark and solemn air
Blink with the blind bats' wings, and heaven's bright face
 Twitch with the stars that shine in thousands there.

Oh, Sweet Content!

If I were gusty April now,
 How I would blow at laughing Rose;
I'd make her ribbons slip their knots,
 And all her hair come loose.

If I were merry April now,
 How I would pelt her cheeks with showers;
I'd make carnations, rich and warm,
 Of her vermilion flowers.

Since she will laugh in April's face,
 No matter how he rains or blows, 
Then O that I wild April were,
 To play with laughing Rose.

Laughing Rose

A crust of bread and a corner to sleep in,
A minute to smile and an hour to weep in,
A pint of joy to a peck of trouble,
And never a laugh but the moans come double;
And that is life!

A crust and a corner that love makes precious,
With a smile to warm and the tears to refresh us;
And joy seems sweeter when cares come after,
And a moan is the finest of foils for laughter;
And that is life!

Life

When I go back to earth
And all my joyous body
Puts off the red and white
That once had been so proud,
If men should pass above
With false and feeble pity,
My dust will find a voice
To answer them aloud:

"Be still, I am content,
Take back your poor compassion
Joy was a flame in me
Too steady to destroy.
Lithe as a bending reed
Loving the storm that sways her
I found more joy in sorrow
Than you could find in joy."

The Answer

"Men know but little more than we,
Who count us least of things terrene,
How happy days are made to be!

"Of such strange tidings what think ye,
O birds in brown that peck and preen?
Men know but little more than we!

"When I was borne from yonder tree
In bonds to them, I hoped to glean
How happy days are made to be,

"And want and wailing turned to glee;
Alas, despite their mighty mien
Men know but little more than we!

"They cannot change the Frost's decree,
They cannot keep the skies serene;
How happy days are made to be

"Eludes great Man's sagacity
No less than ours, O tribes in treen!
Men know but little more than we
How happy days are made to be."

The Caged Thrush Freed And Home Again - (Villanelle)

Happy is England! I could be content
To see no other verdure than its own;
To feel no other breezes than are blown
Through its tall woods with high romances blent:
Yet do I sometimes feel a languishment
For skies Italian, and an inward groan
To sit upon an Alp as on a throne,
And half forget what world or worldling meant.
Happy is England, sweet her artless daughters;
Enough their simple loveliness for me,
Enough their whitest arms in silence clinging:
Yet do I often warmly burn to see
Beauties of deeper glance, and hear their singing,
And float with them about the summer waters.

Sonnet XVII: Happy Is England

In drear-nighted December,
Too happy, happy tree,
Thy branches ne'er remember
Their green felicity:
The north cannot undo them
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.


In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne'er remember
Apollo's summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.


Ah! would 'twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.

Stanzas: In A Drear-Nighted December

Among all lovely things my Love had been;
Had noted well the stars, all flowers that grew
About her home; but she had never seen
A glow-worm, never one, and this I knew.

While riding near her home one stormy night
A single glow-worm did I chance to espy;
I gave a fervent welcome to the sight,
And from my horse I leapt; great joy had I.

Upon a leaf the glow-worm did I lay,
To bear it with me through the stormy night:
And, as before, it shone without dismay;
Albeit putting forth a fainter light.

When to the dwelling of my Love I came,
I went into the orchard quietly;
And left the glow-worm, blessing it by name,
Laid safely by itself, beneath a tree.

The whole next day, I hoped, and hoped with fear;
At night the glow-worm shone beneath the tree;
I led my Lucy to the spot, "Look here,"
Oh! joy it was for her, and joy for me!

Among All Lovely Things My Love Had Been

Happy

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Nothing Gold Can Stay

Snow falling and night falling fast, oh, fast
In a field I looked into going past,
And the ground almost covered smooth in snow,
But a few weeds and stubble showing last.

The woods around it have it, it is theirs.
All animals are smothered in their lairs.
I am too absent-spirited to count;
The loneliness includes me unawares.

And lonely as it is, that loneliness
Will be more lonely ere it will be less
A blanker whiteness of benighted snow
With no expression, nothing to express.

They cannot scare me with their empty spaces
Between stars, on stars where no human race is.
I have it in me so much nearer home
To scare myself with my own desert places.

Desert Places

You did not come,
And marching Time drew on, and wore me numb. -
Yet less for loss of your dear presence there
Than that I thus found lacking in your make
That high compassion which can overbear
Reluctance for pure lovingkindness' sake
Grieved I, when, as the hope-hour stroked its sum,
 You did not come.

 You love not me,
And love alone can lend you loyalty;
- I know and knew it. But, unto the store
Of human deeds divine in all but name,
Was it not worth a little hour or more
To add yet this: Once, you, a woman, came
To soothe a time-torn man; even though it be
 You love not me?

A Broken Appointment

A light exists in spring
Not present on the year
At any other period.
When March is scarcely here

A color stands abroad
On solitary hills
That science cannot overtake,
But human nature feels.

It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.

Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:

A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.

A Light Exists In Spring

I know that I shall meet my fate
Somewhere among the clouds above:
Those that I fight I do not hate,
Those that I guard I do not love:
My country is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.

An Irish Airman Foresees His Death

Sometimes I hear fine ladies sing,
 Sometimes I smoke and drink with men;
Sometimes I play at games of cards, 
 Judge me to be no strong man then.

The strongest moment of my life
 Is when I think about the poor;
When, like a spring that rain has fed,
 My pity rises more and more.

The flower that loves the warmth and light,
 Has all its mornings bathed in dew;
My heart has moments wet with tears,
 My weakness is they are so few.

Strong Moments

There is sorrow enough in the natural way
From men and women to fill our day;
And when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers and Sisters, I bid you beware
Of giving your heart to a dog to tear.

Buy a pup and your money will buy
Love unflinching that cannot lie,
Perfect passion and worship fed
By a kick in the ribs or a pat on the head.
Nevertheless it is hardly fair
To risk your heart for a dog to tear.

When the fourteen years which Nature permits
Are closing in asthma, or tumour, or fits,
And the vet's unspoken prescription runs
To lethal chambers or loaded guns,
Then you will find, it's your own affair,
But . . . you've given your heart to a dog to tear.

When the body that lived at your single will,
With its whimper of welcome, is stilled (how still!)
When the spirit hat answered your every mood
Is gone, wherever it goes, for good,
You will discover how much you care,
And will give your heart to a dog to tear.

We've sorrow enough in the natural way,
When it comes to burying Christian clay.
Our loves are not given, but only lent,
At compound interest of cent per cent.
Though it is not always the case, I believe,
That the longer we've kept'em, the more do we grieve;

For, when debts are payable, right or wrong,
A short-time loan is as bad as a long,
So why in, Heaven (before we are there)
Should we give our hearts to a dog to tear?

The Power of the Dog

This is the debt I pay
Just for one riotous day,
Years of regret and grief,
Sorrow without relief.

Pay it I will to the end--
Until the grave, my friend,
Gives me a true release--
Gives me the clasp of peace.

Slight was the thing I bought,
Small was the debt I thought,
Poor was the loan at best--
God! but the interest!

The Debt

It may be misery not to sing at all
And to go silent through the brimming day.
It may be sorrow never to be loved,
But deeper griefs than these beset the way.

To have come near to sing the perfect song
And only by a half-tone lost the key,
There is the potent sorrow, there the grief,
The pale, sad staring of life's tragedy.

To have just missed the perfect love,
Not the hot passion of untempered youth,
But that which lays aside its vanity
And gives thee, for thy trusting worship, truth--

This, this it is to be accursed indeed;
For if we mortals love, or if we sing,
We count our joys not by the things we have,
But by what kept us from the perfect thing.

Life's Tragedy

By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!

'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat, jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
Bloomin' idol made o'mud,
Wot they called the Great Gawd Budd,
Plucky lot she cared for idols when I kissed 'er where she stud!
On the road to Mandalay . . .

When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo!"
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
Elephints a-pilin' teak
In the sludgy, squdgy creek,
Where the silence 'ung that 'eavy you was 'arf afraid to speak!
On the road to Mandalay . . .

But that's all shove be'ind me, long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else."
No! you won't 'eed nothin' else
But them spicy garlic smells,
An' the sunshine an' the palm-trees an' the tinkly temple-bells;
On the road to Mandalay . . .

I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
Beefy face an' grubby 'and,
Law! wot do they understand?
I've a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay . . .

Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be,
By the old Moulmein Pagoda, looking lazy at the sea;
On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!

Poem of the Day

Mandalay

Rudyard Kipling

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The Power of the Dog

Rudyard Kipling

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