The Poetry Corner

Quiet Lanes

By Madison Julius Cawein

From the lyrical eclogue "One Day and Another" Now rests the season in forgetfulness, Careless in beauty of maturity; The ripened roses round brown temples, she Fulfills completion in a dreamy guess. Now Time grants night the more and day the less: The gray decides; and brown Dim golds and drabs in dulling green express Themselves and redden as the year goes down. Sadder the fields where, thrusting hoary high Their tasseled heads, the Lear-like corn-stocks die, And, Falstaff-like, buff-bellied pumpkins lie. - Deepening with tenderness, Sadder the blue of hills that lounge along The lonesome west; sadder the song Of the wild redbird in the leafage yellow. - Deeper and dreamier, aye! Than woods or waters, leans the languid sky Above lone orchards where the cider press Drips and the russets mellow. Nature grows liberal: from the beechen leaves The beech-nuts' burrs their little purses thrust, Plump with the copper of the nuts that rust; Above the grass the spendthrift spider weaves A web of silver for which dawn designs Thrice twenty rows of pearls: beneath the oak, That rolls old roots in many gnarly lines, - The polished acorns, from their saucers broke, Strew oval agates. - On sonorous pines The far wind organs; but the forest near Is silent; and the blue-white smoke Of burning brush, beyond that field of hay, Hangs like a pillar in the atmosphere: But now it shakes - it breaks, and all the vines And tree tops tremble; see! the wind is here! Billowing and boisterous; and the smiling day Rejoices in its clamor. Earth and sky Resound with glory of its majesty, Impetuous splendor of its rushing by. - But on those heights the woodland dark is still, Expectant of its coming.... Far away Each anxious tree upon each waiting hill Tingles anticipation, as in gray Surmise of rapture. Now the first gusts play, Like laughter low, about their rippling spines; And now the wildwood, one exultant sway, Shouts - and the light at each tumultuous pause, The light that glooms and shines, Seems hands in wild applause. How glows that garden! - Though the white mists keep The vagabonding flowers reminded of Decay that comes to slay in open love, When the full moon hangs cold and night is deep; Unheeding still their cardinal colors leap Gay in the crescent of the blade of death, - Spaced innocents whom he prepares to reap, - Staying his scythe a breath To mark their beauty ere, with one last sweep, He lays them dead and turns away to weep. - Let me admire, - Before the sickle of the coming cold Shall mow them down, - their beauties manifold: How like to spurts of fire That scarlet salvia lifts its blooms, which heap With flame the sunlight. And, as sparkles creep Through charring vellum, up that window's screen The cypress dots with crimson all its green, The haunt of many bees. Cascading dark old porch-built lattices, The nightshade bleeds with berries; drops of blood Hanging in clusters 'mid the blue monk's-hood. There is a garden old, Where bright-hued clumps of zinnias unfold Their formal flowers; where the marigold Lifts a pinched shred of orange sunset caught And elfed in petals; the nasturtium, Deep, pungent-leaved and acrid of perfume, Hangs up a goblin bonnet, pixy-brought From Gnomeland. There, predominant red, And arrogant, the dahlia lifts its head, Beside the balsam's rose-stained horns of honey, Lost in the murmuring, sunny Dry wildness of the weedy flower bed; Where crickets and the weed-bugs, noon and night, Shrill dirges for the flowers that soon shall die, And flowers already dead. - I seem to hear the passing Summer sigh: A voice, that seems to weep, - "Too soon, too soon the Beautiful passes by! And soon, among these bowers Will dripping Autumn mourn with all her flowers" - If I, perchance, might peep Beneath those leaves of podded hollyhocks, That the bland wind with odorous murmurs rocks, I might behold her, - white And weary, - Summer, 'mid her flowers asleep, Her drowsy flowers asleep, The withered poppies knotted in her locks.