The Poetry Corner
Elizabeth Barrett Browning

Elizabeth Barrett Browning

1806 - 1861Elizabeth Barrett Browning was an English poet of the Victorian era, popular in Britain and the United States during her lifetime. Born in County Durham, the eldest of 11 children, Elizabeth Barrett wrote poetry from the age of eleven. Her mother's collection of her poems forms one of the largest extant collections of juvenilia by any English writer. At 15 she became ill, suffering intense head and spinal pain for the rest of her life. Later in life she also developed lung problems, possibly tuberculosis. She took laudanum for the pain from an early age, which is likely to have contributed to her frail health. In the 1840s Elizabeth was introduced to literary society through her cousin John Kenyon. Her first adult collection of poems was published in 1838 and she wrote prolifically between 1841 and 1844, producing poetry, translation and prose. She campaigned for the abolition of slavery and her work helped influence reform in the child labour legislation. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth.Read more on Wikipedia

Poems

A Child Asleep
A Curse For A Nation
A Dead Rose
A Man's Requirements
A Musical Instrument
A Sea-Side Walk
A Thought For A Lonely Death-Bed
A Woman's Shortcomings
A Year's Spinning
Adequacy
An Apprehension
Aurora Leigh: Book Eighth
Aurora Leigh: Book Fifth
Aurora Leigh: Book Fourth
Aurora Leigh: Book Ninth
Aurora Leigh: Book One
Aurora Leigh: Book Seventh
Aurora Leigh: Book Sixth
Aurora Leigh: Book Three
Aurora Leigh: Book Two
Bianca Among The Nightingales
Change Upon Change
Cheerfulness Taught By Reason
Chorus Of Eden Spirits
Comfort
Consolation
De Profundis
Discontent
Exaggeration
From The Souls Travelling
Futurity
Grief
How do I Love thee?
Human Lifes Mystery
Insufficiency
Irreparableness
Lord Walter's Wife
Minstrelsy
Mother And Poet
My Heart And I
On A Portrait Of Wordsworth By B. R. Haydon
Only A Curl
Pain In Pleasure
Past And Future
Patience Taught By Nature
Perplexed Music
Sonnets From The Portuguese I
Sonnets From The Portuguese II
Sonnets From The Portuguese III
Sonnets From The Portuguese IV
Sonnets From The Portuguese IX
Sonnets From The Portuguese V
Sonnets From The Portuguese VI
Sonnets From The Portuguese VII
Sonnets From The Portuguese VIII
Sonnets From The Portuguese X
Sonnets From The Portuguese XI
Sonnets From The Portuguese XII
Sonnets From The Portuguese XIII
Sonnets From The Portuguese XIV
Sonnets From The Portuguese XIX
Sonnets From The Portuguese XL
Sonnets From The Portuguese XLI
Sonnets From The Portuguese XLII
Sonnets From The Portuguese XLIII
Sonnets From The Portuguese XLIV
Sonnets From The Portuguese XV
Sonnets From The Portuguese XVI
Sonnets From The Portuguese XVII
Sonnets From The Portuguese XVIII
Sonnets From The Portuguese XX
Sonnets From The Portuguese XXI
Sonnets From The Portuguese XXII
Sonnets From The Portuguese XXIII
Sonnets From The Portuguese XXIV
Sonnets From The Portuguese XXIX
Sonnets From The Portuguese XXV
Sonnets From The Portuguese XXVI
Sonnets From The Portuguese XXVII
Sonnets From The Portuguese XXVIII
Sonnets From The Portuguese XXX
Sonnets From The Portuguese XXXI
Sonnets From The Portuguese XXXII
Sonnets From The Portuguese XXXIII
Sonnets From The Portuguese XXXIV
Sonnets From The Portuguese XXXIX
Sonnets From The Portuguese XXXV
Sonnets From The Portuguese XXXVI
Sonnets From The Portuguese XXXVII
Sonnets From The Portuguese XXXVIII
Substitution
Tears
The Autumn
The Best Thing In The World
The Cry Of The Children
The Deserted Garden
The House Of Clouds
The Lady's Yes
The Look
The Meaning Of The Look
The North And The South
The Poet And The Bird
The Prisoner
The Romaunt Of Margret (Excerpts)
The Runaway Slave At Pilgrim's Point
The Seraph And The Poet
The Soul's Expression
The Two Sayings
The Weakest Thing
To
To Flush, My Dog
To George Sand: A Desire
To George Sand: A Recognition
Work
Work And Contemplation