The Poetry Corner

Birchbrook Mill

By John Greenleaf Whittier

"A noteless stream, the Birchbrook runs Beneath its leaning trees; That low, soft ripple is its own, That dull roar is the sea's. Of human signs it sees alone The distant church spire's tip, And, ghost-like, on a blank of gray, The white sail of a ship. No more a toiler at the wheel, It wanders at its will; Nor dam nor pond is left to tell Where once was Birchbrook mill. The timbers of that mill have fed Long since a farmer's fires; His doorsteps are the stones that ground The harvest of his sires. Man trespassed here; but Nature lost No right of her domain; She waited, and she brought the old Wild beauty back again. By day the sunlight through the leaves Falls on its moist, green sod, And wakes the violet bloom of spring And autumn's golden-rod. Its birches whisper to the wind, The swallow dips her wings In the cool spray, and on its banks The gray song-sparrow sings. But from it, when the dark night falls, The school-girl shrinks with dread; The farmer, home-bound from his fields, Goes by with quickened tread. They dare not pause to hear the grind Of shadowy stone on stone; The plashing of a water-wheel Where wheel there now is none. Has not a cry of pain been heard Above the clattering mill? The pawing of an unseen horse, Who waits his mistress still? Yet never to the listener's eye Has sight confirmed the sound; A wavering birch line marks alone The vacant pasture ground. No ghostly arms fling up to heaven The agony of prayer; No spectral steed impatient shakes His white mane on the air. The meaning of that common dread No tongue has fitly told; The secret of the dark surmise The brook and birches hold. What nameless horror of the past Broods here forevermore? What ghost his unforgiven sin Is grinding o'er and o'er? Does, then, immortal memory play The actor's tragic part, Rehearsals of a mortal life And unveiled human heart? God's pity spare a guilty soul That drama of its ill, And let the scenic curtain fall On Birchbrook's haunted mil